Premiere Pro CC 2015’s updated task-oriented workspaces are a little more useful than workspaces in the past. Think Minority Report or Sin City, not the nightly news. Rather, I suggest that Lumetri Color is better suited for creating and applying bold, atmospheric styles, feels, looks-sepia, noir, cold and gray-not for trying to achieve spot-on, accurate color. Premiere Pro CC 2015 has plenty of color correction tools, including the aforementioned Three-Way Color Corrector. The point of the Lumetri Color panel, I think, is not color correction, though you can certainly use it for that. The Lumetri Color effects and the Three-Way-Color Correct effect offer the same color wheels, but they work differently. You cannot set keyframes in the Lumetri Color panel, either for that, you must use the Effects Controls panel. Furthermore, the Lumetri Color panel uses check marks to enable or disable settings, whereas most other effects use the “fx” icon. Both have color wheels for shadows, midtones, and highlights, but using similar settings in each and then toggling between them will show dramatically different results. For example, you can add the Three-Way Color Corrector as an effect to a video, and you can add Lumetri Color as an effect, too. The Lumetri Color panel has a large number of controls, many of which overlap with other color controls-some are even named the same-but they often don’t do the same thing or with the same power. You cannot import a look by using the Lumetri Color panel you can only do so by using the Libraries panel.
They will appear in the Lumetri Color panel once you’ve dragged them from your Libraries panel to your timeline video.
You can access looks from your Libraries panel, which pulls from your online Creative Cloud account, but they do not show up as options in your Effects panel or even the Lumetri Color panel. However, if you drag a Lumetri Preset to a video on your timeline, it appears in your Effects Control panel as a Lumetri Color effect, and you can edit it there. In the Effects panel, you’ll find Lumetri Presets-but you still can’t add any to this list unless you use SpeedGrade. Now, you can import and export look files in Premiere Pro, but only using the Lumetri Color panel. Premiere Pro picked up the Lumetri Color engine from Adobe SpeedGrade in 2013, but then, you couldn’t create looks in Premiere Pro you had to create them in SpeedGrade. You can create looks in Premiere Pro CC 2015 by using a new Lumetri Color panel. The new Lumetri Color palette lets you create looks and see a preview of how they’ll look on your video. Now, you can create a look in Hue CC or in Premiere Pro CC, but you can only apply a stock look in Premiere Clip you can’t create or import one, though an updated version of Clip that will add these capabilities is due any day, according to Adobe. So, for example, you could capture a cold, cloudy beach, with its blueish, muted colors, and apply them to a nice, short video of a large bull chasing you.Īdobe’s integration of these applications isn’t yet round-robin, though it soon will be. Hue CC is new you can use it to take photos and capture their “looks”-color hue sets-which you can then import into Premiere CC and apply them to other videos. Adobe Premiere Clip has been around since last year it allows you make simple edits to video on your phone and then upload the composition to Premiere Pro, which will retain the edits and let you make additional ones. Everest at the time-but if I had, I could have used two iOS applications, Adobe Premiere Clip and Adobe Hue CC, which attempt to expand video editing beyond the desktop. Okay, so I didn’t run with the bulls-I was busy climbing Mt.
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But how to capture those colors and reuse them? Thankfully, Adobe has solutions for these vexing problems in the latest version of its video-editing application, Adobe Premiere Pro CC 2015.Ĭreate looks with Adobe Hue CC, and they will become available in Adobe Premiere Pro CC 2015’s Libraries palette. Last year, as I was sprinting down the street trying to stay ahead of six angry bulls in Pamplona, Spain, I held my phone behind me to capture some video of the experience, all the while thinking, how am I going to color-correct this video? And then I looked up at the beautiful old buildings facing the street and thought, hey, that palette would really work well with the talking-head videos I had been editing in my hotel room the night before. Use Adobe Hue CC to capture color looks from camera shots press on the color balloons to adjust the look before uploading to your Creative Cloud library.
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